Premise: A group of men try to rob the Riviera Casino while disguised as Elvis. Unfortunately, one of their number double-crosses them, forcing the leader and his girlfriend to go on the run. Starring Kurt Russell, Kevin Costner, Courteney Cox, Christian Slater, Kevin Pollak, David Arquette, Jon Lovitz, Thomas Haden Church, and Ice-T.
Pros: When I first heard the premise, I thought it sounded kind of cool. They could’ve done without the Elvis impersonator gimmick, but I thought it had potential. Well, one good thing I can say about it is the supporting is full of good actors. Kevin Pollak and Thomas Haden Church are suitable choices for U.S. Marshals, as is Christian Slater as one of the robbers. Too bad they had to be stuck in this rancid pile of trash. Courteney Cox is the only one that really feels like she’s having fun, though, and a scene with her contrasts greatly with the rest of the film, which is monotonous and miserable.
Cons: Pretty much everything else. The worst part would have to be the completely devoid-of-personality characters. Everybody is so boring and interchangeable that you might as well call Takers a sequel. Worse, the film doesn’t really a give much of a reason why the robbery is taking place. Is it motivated by greed? Desperation? Who knows? Who cares? Even Cox’s character, by far the most interesting, has no constant motivation, and the result is a confusing mess.
3000 Miles to Graceland is gratuitously violent without reason and without finesse. You get the sense that the writers saw the glut of violent heist films that were coming out in the 90s and decided “Golly gee, if our movie’s got blood everywhere people will go see it”. The violence is poorly constructed and repulsive without trying to be, rendering all the shootouts tedious exercises in whose arteries can burst in bigger and better explosions.
The editors can’t cut to save their lives. The editing is so poor that you start to think the editors just wandered onto the set and director Demian Lichtenstein just said, “Hey, you guys showed up. You’ll do”. Kurt Russell and Kevin Costner are practically sleepwalking through the whole thing, just waiting till the check arrives in the mail. The industrial rock soundtrack is woefully out of place, the way the plot unfolds is so predictable that you might as well watch the far superior Reservoir Dogs or Out of Sight.
Why did it fail?: Gotta blame this bomb on negative word of mouth. I mean, it has a whopping RT score of 14 percent. Another possible reason is audience’s wariness of Kevin Costner after the farcical production difficulties of Waterworld or the bombing of The Postman. Whatever the reason, audiences were smart to stay away.
Did it deserve to fail?: Yes, yes it did.
Failure level: DEFCON 2, enough to worry a major studio.
Final Score: 1.5/10.